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Which required three craftsmen at a time. The weaving was done using the jala technique, Later, kinkhab began to be used in saree weaving in a 45 or Thread or weft) in 36 pano (width, measuring 36 inch). Made using a thick tano, (vertical thread or warp) or vano (horizontal With a variety of motifs including paisley, birds, humans, animals and vines. Looms and thirty weavers making Ashavali sarees, characterised by brocade weave Years later, his grandson Paresh Patel is continuing the tradition with 55 When the last of the weavers were set to exit the craft, Somabhai set up four When others in the profession began to quit weaving in the 1980s and 1990s. The years, he developed such a liking for the art that he continued it even
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Thus, Somabhai decided to learn the craft. Many weavers in his village were engaged in weaving.
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Somabhai Patel, who would be free after sowing seeds in the monsoon, wanted to put his time to good use.
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Sometime in the late 1930s, a farmer in Ridrol village of Gujarat’s Mansa tehsil thought of learning how to weave brocade sarees using gold and silver threads on silk. Like mocha embroidery, beadwork and jaliwork. The parrot and peacock, some of which are found in other parts of Gujarat Radhika Lalbhai displays designs like theīadshah pallu (common to Balucheri sarees) and chand-tara, and motifs like Sometimes woven onto Patola sarees-and the interwoven designs. Sarees are distinguished by the enamelled look of the border-which are Were worn as sarees, jamas and patkas, or used for canopies, and Made by Khatris and Patels, and used primarily by royalty and nobles. Sarees, a style of weaving to which references are found from the 16th century.īelieved by some to have influenced the brocade traditions ofīenaras through the migration of Gujarati weavers, Ashavali fabrics were Intricately woven silken patterns were embedded into the gold surface in myriad colours and were known as meenakari, imitating the enamel work prepared on jewellery. It had rich brocaded patterns woven in twill weave, a speciality of the area.
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The Asavali saris named after the old city of Ahmedabad in Gujarat and derive their name from Ahmedabad’s 11th century ruler Asha Bhil. In thisĪrticle, we have outlined some of the traditional textile crafts of this The state which specialize in some form of textile craft or the other. However, there are several other parts of The arid region of Kutch is the richest in the State of Gujarat in India, popularly known as the Manchester of the East, has a